or, that surreal time i found myself almost completely alone in the MoMA galleries when they reopened this summer....
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| august, MoMA... |
Showing posts with label form. Show all posts
Showing posts with label form. Show all posts
Wednesday, November 25, 2020
Monday, October 19, 2020
Monday, February 10, 2020
gallery goals
at the Guggenheim, a 1960's situation...
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| fullness of color, at the Guggenheim... https://www.guggenheim.org/exhibition/the-fullness-of-color-1960s-painting |
Saturday, January 18, 2020
Sunday, December 22, 2019
Sunday, August 25, 2019
Sunday, May 19, 2019
room for a robe
at the Whitney Biennial, a preoccupation with the peplum ....
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| Diane Simpson, Robe... Whitney Biennial |
Tuesday, January 22, 2019
Thursday, October 12, 2017
Sunday, October 8, 2017
amidst art...
"... a line can go anywhere..." Ruth Asawa
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| at David Zwirner Gallery https://www.davidzwirner.com/exhibitions/ruth-asawa |
Tuesday, September 5, 2017
in between faces, in between spaces...
formative (fashion) years....
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| last week, at art of the in between The Met |
Monday, June 5, 2017
Absence \ Presence
"My clothes and the spaces they inhabit are inseparable - they are one and the same. They convey the same vision, the same message, and the same sense of values." (Rei Kawakubo 2017)
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| body meets dress, dress meets body Rei Kawakubo, Art of the In-Between... |
Tuesday, January 24, 2017
Monday, July 11, 2016
Set in Stone
Or, crafted in concrete if you are designer Clodagh, focused on building, interiors and renovations...
In her own words: "There is a universality about the presence of concrete. Used for years as a building material, it is perfectly comfortable invited into a room as a piece of furniture. Warmer to the touch than stone and malleable as putty until it sets, it lends a powerful presence to a room."
Clodagh's love affair with concrete began when she left a fashion design career in Ireland.
"The reason I left fashion was that it was too ephemeral, and what I love about concrete is that it is eternal, and it takes on a gorgeous patina over time."
At Thursday evening's "Summer Soiree," Clodagh and Trueform introduced the Clodagh Collection, celebrating concrete forms and Clodagh's happy, new East 23rd Street Studio.
Tables were staged with reclaimed wood accents, Tufenkian area rugs, Chista artifacts and flowers by Floreal. Vegan fare was served. Fresh, chilled Rose was enjoyed along with Clodagh's own homemade raspberry vodka.
The big surprise? One lucky raffle winner went home with new Doggie Dinnerware, well equipped to tackle the dog days of summer now upon us!
In her own words: "There is a universality about the presence of concrete. Used for years as a building material, it is perfectly comfortable invited into a room as a piece of furniture. Warmer to the touch than stone and malleable as putty until it sets, it lends a powerful presence to a room."
Clodagh's love affair with concrete began when she left a fashion design career in Ireland.
"The reason I left fashion was that it was too ephemeral, and what I love about concrete is that it is eternal, and it takes on a gorgeous patina over time."
At Thursday evening's "Summer Soiree," Clodagh and Trueform introduced the Clodagh Collection, celebrating concrete forms and Clodagh's happy, new East 23rd Street Studio.
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| Railroad Concrete Bench |
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| Studio view of the concrete jungle |
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| Primitive Concrete Table |
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| fresh refreshments... |
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| Clodagh and Trueform share their story... |
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| Nomadic Coffee Table Doggie Dinnerware www.clodagh.com www.trueformconcrete.com (quotes from press release) |
Saturday, June 25, 2016
new ways of seeing
moholy-nagy, future present:
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| https://www.guggenheim.org/exhibition/moholy-nagy-future-present |
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